With its blend of wavetable and classic subtractive oscillators, flexible filtering and post-processing, and an extensive set of advanced modulation sources, BLEASS Megalit provides sound designers with a vast palette of timbral tints, shades and colours to explore. And, thanks to BLEASS’ super-intuitive interface design, that entire sonic palette is within easy reach of even the most non-technical of musicians.
Megalit includes many innovations that will empower your sound designs:
- Advanced wavetable oscillators can adjust both wavetable position and fold, bringing near-infinite variety to each of the synth’s 130+ wavetables;
- Per-oscillator unison mode allows you to create complex layering that would normally require you to load additional synths into your project;
- Noise generator with dedicated high- and low-pass filtering for super-flexible non-tonal sounds and sound components.
- Resonant high-pass and low-pass filters that can be applied to individual oscillators or pairs of oscillators, as can the built-in waveshaper and bit-crusher processors;
- Four LFOs, each with its own timing curve and output smoothing, that allow for the creation of exceptionally complex – not to mention original – modulation patterns;
- Advanced Motion Sequencer for the creation of complex repeating modulation patterns;
- Per-patch storage of performance controller response curves ensure a sound will always respond the way you expect it to;
- Patch randomising feature always produces useable sounds;
- Built-in multi-band upward/downward compressor provides exquisite control over a sound’s dynamics and punchiness.
All of Megalit’s parameters, settings and controls, no matter how advanced, are laid out at your fingertips, with intuitive visual feedback ensuring you always know exactly what the synth is doing. And, despite its huge sonic power, Megalit is super-efficient on your system, leaving you with plenty of headroom for running additional instruments and effects… or, better still, more instances of Megalit!
BLEASS Megalit is available as an AUv3 plugin or standalone App.
BLEASS Megalit is also available for Window & Mac Users.
More information available on https://www.bleass.com/megalit
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4.32 out of 5
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Top wavetable synths
I have used all of the wavetable synths for iOS (as far as I know), and megalit has a close tie with butter. CPU handling in megalit is better than everything else other than drambo. However megalit does not allow wavetable import or editing, which is somewhat of a major con. I might be using it more than other wavetable synths because randomization does indeed produce some great presets (this is a big feature for me), and it’s easy on the cpu. I mainly make very glitchy or ambient sounding music and megalit works extremely well all things considered. I kind of prefer butter over megalit because the wavetable editor and import, but in reality I cannot really use those features because my iPad Air 4th gen stutters and ends up crashing out with butter. It’s something I’m sure will get fixed, but in the meantime megalit is my go to wavetable synth. It kind of produces similarly sounding results to nave imho. Some people I have read in certain iOS communities online that apps like megalit sound “cold,” and I believe that some wavetable synths do sound colder (which I like) but megalit has a warmer sound, which I think is more about the filtering which can be fixed in chain with whatever daw your using I think anyway. In short I would call it my top wavetable synth currently, but if butter didn’t crash and glitch so much for me megalit would be a close second. Also universal comparability is huge for me. I really enjoy making presets on my iPhone and than using them on my iPad.
Very nice
Great app, it’s almost like having Serum for the IPad, the only thing missing is the ability to add user or 3rd party wavetables, I’d love to be able to import some of my Serum wavetables, that would make it complete for me, otherwise it’s awesome
Porn/dating alert
“You have a message from Nadiya” then dating ad with a lady in her underwear climbing on top of a dude in his underwear. Brand safety ain’t just a Twitter problem.
