iVCS3

O iVCS3 é a recriação de um clássico. Trazendo todas as características do instrumento original, criado em Londres no final da década de 70 e utilizado por diversos artistas (entre eles The Who e Pink Floyd), o app possui ótima sonoridade e interface muito funcional. É possível utilizá-lo como processador de efeitos para qualquer app musical compatível com o Audiobus e ainda processar o áudio de instrumentos externos, inclusive voz. Total compatibilidade MIDI deixa tudo ainda melhor.

Please make available on all Apple Silicon. Would LOVE to use this on a desktop or laptop!

Holy wow. This is a gorgeous emulator of a weird and wonderful synthesizer. I discovered this while browsing through the Trunk Records online catalogue, and now it’s my favorite app by a lot. Made with love by and for music nerds.

From the start I was excited to have access to such an incredibly rare synthesizer experience as the hardware version of this model is next to impossible to find even in a synth Mueseum! But the roster of artist who have used this is as long and thick as an old phone book! The icing on the cake is apesoft and especially James Edward Cosby continuing to support and build upon this synth with updates and presets that customize and help any sound designer and synth musicians from newbie analog programmers to the geniuses that understand the deep complexity of the real wires and patches of CV and modulation “electronic goodies” that make this such a special secret weapon to any kit! Roger Waters was the artist famous for saying “there are lots of electronic goodies made available for us to be bothered with....and we will be bothered!” From the documentary “Pink Floyd - Live at Pompeii” when Roger was positively inspired creatively when he says ‘bothered’ in a most noble way ....with parts of the film showcasing Roger programming and playing this very synth in what would become “The Darkside of the Moon” album of all time! When I saw this strange synth I never realized how rare it was but since technology has made it possible with programming and development by apesoft and James Edward Cosby (Jim Cosby)! This is after many years of surprise and intrigue oh and much joy in sound design playing this instrument that I finally wrote a good review in honor of yet another addition in “captivity” to blow my mind yet again! So this review is well past due and much deserved! Bravo! Bravo! And Bravo, indeed!

Spent hours trying to get MIDI to work with GarageBand on OSX to find that even then only audio connection works. No keyboard or anything else conveyed unlike Model 15 synth that worked first time. AU shows up on GB on iOS but again audio only AND recording does not work. As with other products by Apesoft, clearly not tested by them or Apple. No user manual even on website so you have to guess all the software features beyond original VCS3. Very poor for a paid App based on open source code they got for free.

After using this for well over a year. I’m still amazed at how much more there is to learn. There seem to be no limits. I can only hope this will come to Mac soon, as Mood already has.

I like this synth but I don’t like the matrix, so I hardly ever use it. You can zoom in on the matrix but still it’s difficult to see where you need to put the pins. I always trace them by hovering with my finger. Basically the farther the hole from the labels, the harder it is to see which two items it connects. Don’t get me wrong, the holes are big enough for the finger, so when you tap on the one you intend to put the pin into, there’s no problem there, it’s precise. But to visually find where you need to put the pin is a challenge and always takes too long. Looking up and left a few times, and ultimately ending up having to hoover my finger over the holes to visualize the signal flow. It’s a bad design, humans need visual queues. Take Factory (by Sugarbytes) for example, it's got about the same overall size of its matrix but it’s so clear to use. I look, and then tap to place the circle, without having to figure out which hole connects what. Glancing at the matrix, to figure out what’s going on in the patch... is not something I’m able to do in iCVS3, and that’s pretty much kills all the joy of using this synth for me. I get that it’s looks were modeled after hardware but that doesn’t change my experience using this app on (10.5”) iPad. Using this matrix is frustrating because there’s too much visual information to process/interpret for my mind, and there are no visual queues to help. Perhaps if a different “skin” for the matrix was available as an option, it would make things clearer. If you look at the screenshot of the matrix, try to visualize the connections. If you find it effortless or not a big deal, then I’m sure you’ll love this app as the rest of it is actually very well made.

Still can't imagine, how do i can use it with Yamaha MD-BT01, effortless and with the full support of Core MIDI.

Title says it all. Makes wanna mill some nice spruce sides to affix to my iPad. This really,to me, makes any and every reason to own iPads. Really sounds monstrous through some choice plug ins via AUM then into a good P A. Thanks for the killer app and let’s get going on the CS-80 emulator!

I just got a iPad Pro 12.5 and the app won’t open then crashes over and over ☹️ why?